Vis Insita is a cross-cutting performance, at the crossroads of the plastic, digital and sound arts, in which music and light are controlled on stage using instrumental interfaces based on optical motion capture*, a technology usually reserved for animated film or biomechanical research, and still almost never encountered in live performance.  

The performance explores new forms of interpreting live music and interacting with the stage environment.  By making indie-rock, synth-pop and electronic experiments interact with strong visual, plastic and kinesthetic components, Vis Insita intends to shake up the spectator's usual modes of perception and to favour a contemplative listening to music.