A strange light pendulum suspended in the centre of the stage is tracked by a motion capture device, itself linked to different sound parameters as well as the lighting software. The object then interacts with music and light.
 
The Vis Insita performance explores ways to stage and interpret electronic music in a visual and poetic way through the development of new instrumental interfaces based on a creative capture of gesture and movement.

Sometimes encounter when the pendulum is manipulated, or confrontation when it becomes autonomous, the transfer of the musical gesture to the object gradually reveals a contemporary dilemma on stage: to be one with the machine or to face it.

In a performance that is both plastic and musical, Vis Insita offers the viewer the path of reverie and contemplation in an attempt to deal with the contradictory reactions that technology sometimes provokes in us.